From Fabrica Research Centre
2023
Exploring the fragile relationship between Humans and the ‘Landscape’. The artist constructs a space using flour (taken from the Earth) by pressing the material into a perfect (15cmx20cmx9cm) rectangle. The arrangement and placement of the flour blocks was dictated by Tadao Ando’s architectural grid lines.
By questioning the fragility of landscape/memory and place/space, the viewer can explore the meaning of ‘Landscape’. Is it something to be seen, touched or simply remembered?
From Fabrica Research Centre
2023
Exploring the fragile relationship between Humans and the ‘Landscape’. The artist constructs a space using flour (taken from the Earth) by pressing the material into a perfect (15cmx20cmx9cm) rectangle. The arrangement and placement of the flour blocks was dictated by Tadao Ando’s architectural grid lines.
By questioning the fragility of landscape/memory and place/space, the viewer can explore the meaning of ‘Landscape’. Is it something to be seen, touched or simply remembered?
From Fabrica Research Centre
2023
An ad to advertise Erwin Wurm's book 'The artist who swallowed the world' to the online community of Fabrica Research Centre.
Australian artist, Erwin Wurm's work captures a surreal and bizarre world of unexpected relationships and balance with everyday objects – striking and amusing, Wurm’s work makes you stop, think and become inquisitive to the world around you.
From Fabrica Research Centre
2023
The physical features of a landscape bear the scars of its history, and these marks persist over time. A landscape is a repository of memories, and I can explore its past by examining its physical characteristics.
The quote below, by M. Corajoud, highlights the idea that a landscape holds important clues about its past, and that by studying it, we can gain a deeper understanding of the history and culture of a place.)
"In the flesh of the landscape all the stigmata of the past are impressed and endured. Landscape is a memory and I can interrogate it". – M. Corajoud in B. Cillo, 2008, p. 87W.
Thomas Heath
From Fabrica Research Centre
2023
Using print to explore the visual expression of human interaction with man-made objects in response to a quote a Babette Mangolte’s film ‘The Sky On Location’. (1983)
From Fabrica Research Centre
2023
Using print to explore the visual expression of human interaction with man-made objects in response to a quote a Babette Mangolte’s film ‘The Sky On Location’. (1983)
“We take data and document where we are and what we do and what nature is doing. We accumulate photographs and records to compensate that sense of irremediable loss for the passing traveller.” – The Sky On Location (1983) dir. Babette Mangolte.
From Fabrica Research Centre
2023
Truly, really, actually a name taken Marcel Broodthaers exhibition catalogue ‘Court Circuit’, is a collection text and artist references, from the likes of Hans-Peter Feldmann, Marcel Broodthaers and Chuck Berry. The poster which folded up into an A4 page was designed to inform a group of artist with what I had been researching.
Each coloured text block relates to a corresponding coloured outlined image on the reverse side of the A2 fold-out.
Edition of 50
tom1.heath1@gmail.com
Available for hire, project-based or fulltime
"Just remember, my accounts of actions I’ve experienced are the fourth generation of communication. First, it happened; second, I conceived what happened; third, I reproduced what I conceived; and fourth, you will conceive what I have reproduced." – Chuck Berry
An Archive of:
2023
Falmouth University
2016-2019
Education Employment
Teaching
2025
BBC Creative
2019-2025
Fabrica Research Centre
2023
Relative Studio (Formally Carter Studio)
2019 - Internship
Charlie Smith Design
2019 - Internship
Kingston School of Art, United Kingdom
Tutoring
2023 / 2024
Falmouth University, United Kingdom
Tutoring
2022 - 2025
Falmouth University
United Kingdom
Surfers Against Sewage / Springboard Studios
2023
Green&Blue Festival
Milan, Italy
An introduction to collage
2022
Falmouth University
United Kingdom
Nowhere/ICBQ
2022
Falmouth University
United Kingdom
Object / Place
2021
Dublin, Ireland
Communication Design Department
Illustration, Graphic Design & Moving Image
2023
Falmouth University
BA (Hons) Graphic Design
2022
Birmingham Design Festival
2019
Oio Studio
Fabrica Research Centre
Villorba, Italy
2022
Just Passing Through
Carlos Casas
Villorba, Italy
2022
Here</>There Exhibtion
Adrian Shaughnessy
Beijing, China
2019
Shape of Words (2022)
Fedrigoni 365 (2022)
Communication Arts: Fresh Finds (2022)
Communication Arts (2021)
The Brand Identity (2021)
It's Nice That (2021)
MagCulture (2021)
Collide24 (2020)
It's Nice That (2020)
Last Updated 06.06.2025
A rebrand for Primal Pathways, a unique safari experience in Zambia’s Luangwa Valley. The new identity reflects the organisation's deep connection to nature, emphasising immersive, low-impact exploration.
Through refined typography, symbolic iconography, and a cohesive visual system, the brand captures the essence of walking in the wild—where every step fosters a profound connection with the natural world.
Through refined typography, symbolic iconography, and a cohesive visual system, the brand captures the essence of walking in the wild—where every step fosters a profound connection with the natural world.
The typography captures the fast-paced, explosive energy of pinball machines and the Euros, blending vibrant vintage pinball aesthetics with the angular structure of Germanic typeforms to honor the host nation, Germany.
I was tasked alongside senior designer Hugo Timm and the team at Wolff Olins to months of strategy, research, development and refinement, to create and implement an identity and system to a new string of BBC Radio shows helping transform the shape of radio to millions of weekly listeners.
Features:
It’s Nice That (ICBQ)
Collide24
MagCulture
The Brand Identity
I co-founded ICBQ with four friends in March 2018 during my second year at Falmouth University. Since then, we’ve released five issues (with a sixth in progress), run university workshops, spoken at Birmingham Design Festival, and stocked ICBQ globally in shops like Magma, MagCulture, and Drawdown Books.
Agency: BBC Creative
ECD: Rasmus Smith Bech
Creative Director: Mark Williams
Creatives:Aron Sidhu, Steve Lownes
Directors: Bine Bach
Production Company: Biscuit Filmworks
Features:
Creative Review (2023)